The film editing process involves a series of versions or cuts (named so because editing used to require the cutting and slicing of physical film strips). These cuts are the result of the following workflow:
Logging: Usually handled by an assistant editor, logging is the process of sorting and organizing the unedited, raw footage (called ”daillies”). As the film shoots, directors and cinematographers often mark certain shots as favorites to help guide the video editor once they receive the logged footage.
First assembly: The first assembly, or assembly cut, is the editor’s first cut of the entire movie. The editor strings together all of the usable footage and organizes it into a chronological sequence that corresponds with the film’s script. For large budget Hollywood features with high-profile production companies, the editor often works on assemblies of individual scenes while the film is still being shot.
Rough cut: The rough cut may take many months and is usually the first time that the editor works with the film director. The rough cut might involve minor tweaks, or the director may wish to go back to the drawing board and start afresh for parts of the film. The director will often want to reorder, cut, and trim scenes, in addition to swapping in different shot angles and performance takes. Rough cuts only feature simplified placeholder titles, visual effects (if any at all), and sound effects.
Final cut: Once the film's director and producers are satisfied with the state of the film, the editor adds the finishing touches. This includes sound effects, music, visual effects, titles, and Colour grading.
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